Wednesday, July 11, 2012

Mid-SPA 2012



To be at Sphinx means to be proud of who you are culturally and share similar stories of how it feels to be an African-American or Latino classical player. It also feels amazing to share the passion and love we have for our instruments. We all have our special voice that we communicate through our instruments and it is an honor to have the instructors we have to help us improve our voice and really be heard. It really is an honor and incredible experience to be here.
-Alejandra Anaya

Thursday, July 5, 2012

SPA Kids Speak


 Hello SPA friends and family,

It has been an exciting first couple of days at SPA Oberlin 2012. Each year the students never cease to amaze me with how quickly they grow close with one another through their dedication to music and building diversity in classical music. We have an exceptional group this year with some of the most insightful and compassionate students I have ever met. 

Last night we started a three-part exercise called "Conscious Awareness" led by one of our Dorm Parents Hector Hernandez. We had the whole group write down “what it feels like to be a Sphinx student.”  Then we discussed in detail what that meant to them.  A few of the students volunteered to share their thoughts on the blog (see below).  As we continue our first session of 2012 we will keep you posted on the other parts of the exercise along with pictures and other student entries.

Carolyn Bishop
Assistant Dean


To be at Sphinx means to be proud of who you are culturally and share similar stories of how it feels to be an African-American or Latino classical player. It also feels amazing to share the passion and love we have for our instruments. We all have our special voice that we communicate through our instruments and it is an honor to have the instructors we have to help us improve our voice and really be heard. It really is an honor and incredible experience to be here.
-Alejandra Anaya

It feels great to be a student at Sphinx. It’s about time I find an orchestra that provides an opportunity for Latinos and African Americans. It’s one of the best experiences in my life. I am truly blessed to participate in the Sphinx program. I just love it here and it's only been 2 days and everybody is a family here….SPHINX IS THE BEST!!!
Thank you Music Heaven!
Truly yours,
Vincent Neil


Tuesday, July 26, 2011

Rachel Barton Pine, Masterclass

Violinist Rachel Barton Pine performing for the students at the Sphinx Performance Academy, last Sunday July 24th at Roosevelt University in Chicago.
Selections from her new album: CAPRICHO LATINO.

Sphinx 15: Get in tune, at SPA!

July 26, 2011

By: Mariela Lemus



Here at Sphinx, we have a schedule. The schedule cannot be broken, but we don’t mind (for the most part) because the schedule is pretty awesome. Part of the schedule is a daily evening activity. Every night at around 6:40pm the thirty-two SPA students meet in the lobby of the University Center here in Chicago. Our dorm parents do a quick (well, it’s supposed to be quick) roll call to make sure that there are, in fact, thirty-two of us before departing for Roosevelt University. We walk down the hot humid street, dodging the construction workers with their yellow tape and unnecessarily loud machinery, with our instruments on our backs or being rolled behind us. Once we arrive at Roosevelt, we use the two old elevator “cars” to transport our bodies and instruments to the seventh floor where we stroll down to Ganz Hall.

Last night the Resident Quartet coached a master class with five different solo and ensemble performances. My quartet was the third performance of the night. Since we were third, we could not wait back stage in the green room until after the first performer was finished. Yet a funny thing happened the very day of the master class. Our second violinist, Jonathon Vargas, had a slight problem with his dependable violin. The A string popped earlier that day. He had to replace it with a brand new string. (Brand. New. String. On the day of our master class). So Chris Jenkins, Dean of SPA and also my quartet’s coach, allowed Jonathon to stay backstage to constantly tune his A string a little sharp in anticipation of it going flat while we were on stage.

Rebecca was the first soloist. She performed a bit of Samuel Barber’s Violin Concerto for us. Shelby stood next to her on stage and got the audience involved in interacting with the performer as well as giving her own personal feedback. It’s always nice to see a supportive audience that listens intently to the performer, and applauds and appreciates the work that the performer has put in to the repertoire.

Folasade was up next. From backstage with my quartet I could hear the opening notes of Lalo’s Symphonie Espagnole. But then the nerves began shaking my body and the chill of the air conditioner froze my mind, numbing my very brain, limiting my thought process to Mozart and only Mozart. Jonathon was in tune. Alex was in tune. Indya was in tune. I was in tune. WE were in tune. And it was time to go on stage. I was distracted. The heat of the stage lights washed over my skin and I forgot to lay out the second page of my music before we began. Luckily the double bar leading into the development was at the bottom of the first page for me, so I was able to pause long enough to flip the page. Good times…

At the culmination of our little performance, Jen came right up on stage and dove into coaching us. She invigorated our quartet with energy, a very vital necessity in playing, but something we had been lacking severely. She forced us to communicate with each other, to the person next to us, diagonal from us, and across from us; so much so that the stands between us no longer served as boundaries, but just represented metal hands outstretched to docilely hold up our thin sheets of music.

Every day at SPA is a learning experience, that’s what the camp is about. The schedule keeps us on track, even if we’d rather it relax a bit here and there. But I guess it’s like having protective parents make you do things a certain way. “One day you’ll thank me. One day you’ll understand.” SPA teaches young musicians discipline they need to become a serious performer. So no matter what happens, the schedule is there to keep us on track, to keep us focused, and most importantly to teach us. The master class last night was just one example of what SPA does. Congratulations to those who played, you were amazingly fantabulous (which IS a word; I saw it on a bus here in Chicago).

From Jonathan Vargas


Well my first three days of SPA have been incredibly fun!! Everyone is so cool. You feel like family so fast! Here at SPA I have had so much fun learning new pieces and getting to work with other people from across the country!!! It is definitely a vigorous schedule but it’s 99% fun all day. (1%=time to go to sleep). I can guarantee the next two weeks are going to be a blast!

-Jonathan Vargas-10th grade

Tuesday, July 19, 2011

First Day, by Rhonandhoh Abraham

Today I woke up at seven AM and I was still able to get to breakfast early. After breakfast I had time to play and rest. So basically the breakfast hours are really good. After breakfast I had my lesson at Roosevelt, which is very close to the dorms. When my lesson was over I was assigned to a practice room and I practiced for three hours. I was able to have 10 minute Break within the hours. Lunch came after practice. The cafeteria has GREAT food and healthy choices. I made friends very easily and the classes are fun. We also played games a lot and just hung out. SPA is a fun camp and the best one I’ve been to and it’s only my second day.

Friday, July 15, 2011

Awaiting for SPA CHICAGO!

Photo: Jada Wright-Greene, Sphinx's Director of Education & Youth Development, arrived today to finalize the contract with Roosevelt University and get prepped for SPA Chicago 2011!